In this project, sensor modules are hidden within snow elements such as rocks, pavements, icy beach. Each sensor module contains pre-recorded chirping birds. Each module is composed of a set of wireless speakers and plays a pre-recorded cardinal bird - Many thanks to Cornell lab of Ornithology for their great collection of free bird sounds.
When a passerby travels through her environment, she observes her surroundings. Hearing birds coming from the snow she declares: “this is lovely”. She does not yet connect the meaning of the two. She is projected within her idealistic view of her environment, snow and birds symbolizing magic.
She tries to obtain her curious information: “I know the sound comes from the ground, but where?” In a few minutes she notices that the sounds come from the snow, and realizes the fact: this is unusual and disorienting.
This project exemplifies the disconnection between natural elements of the outside; the birds symbolizing the spring, the snow symbolizing the winter. The two are reunited in a dramatic way. I shift the location of the birds from the trees to the ground. I shift the seasonal sounds from winter to spring. In this piece I selected a large landscape, nude from anything else than a winter tree, with no leaves, just branches. I bury the sounds into the ground, in the snow.
I find that we are disconnected from reality. Aesthetic endeavors create magic, but magic that distances us from facts. I use this magic in nature, elements that are natural but yet inspire us: snow, sounds of birds. I put them together to create this aestheticised tragedy.
Project I made for the sculpture studio : outside