[The other's eyes] turn to me a liquid pool waiting for unforseeable disturbances. They are more naked than the flesh without pelt or hide, without clothing. ... They are more naked than things can be, than walls bared of their adornments and revolvers stripped of their camouflage; they bare a substance susceptible and vulnerable. Their nudity exposes them to whatever message I may want to impose, whatever offense I can contrive - Alphonso Lingis, Foreign Bodies, p171.
In shell, I tailored a plastic envelop of a human body, envelop that is then discarded. The plastic fabric is carved with textural information. Its transparence resembles a ghost, its undefined junctions and closed top suggest a metamorphosis rather than a piece of clothing. It is an object that has been depersonalized by being discarded in public.
Attached to a long stick, it floats in the wind, linking the experience of the playground (yard), the uncomfortable cocoon (the shell) and academic knowledge (the Widener library at Harvard University).