Tuesday, November 27, 2007

Transitional objects


Filet From the series Hommage au Sol - accesoires de prolongement du corps, objets transitionels de perception
1989-1994

Marie-Claire Bevar works with textiles, transforms them, adds all kinds of other materials to them, turns them into objects which has been her passion and necessity since childhood.

After collaborating both in trade and in theater, she decided to create objects as part of a personal introspection expressing itself through propositions evolving around the theme of the body. Both in Hommage au Sol and in L'Avant-Bras, Le Lien, Le Trait d'Union on one side and in Artextilabo, a laboratory of experimentations.


Doré

Hommage au Sol focuses around the foot and its relation to the ground. It includes accessories extending the body, transitory objects of perception, photos, videos and written documentation.


Venise

L'Avant-Bras, Le Lien, Le Trait d'Union is a work in progress. First she experimented with materials and techniques proper to the theme. A first series of objects were created, and now the artist is reflecting on them, furthering her research and figuring out how to stage them and present them to the public.

Chatting with Paulina on transitional objects made me revisit its classical roots. And what a pleasure to re-read Jerome Singer and his wife Dorothy's -authors of the awesome house of make believe book- fascinating journal paper from which I quote:

One possible route to the beginnings of the creation of miniaturized virtual realities by the very young may emerge in the course of older babies’ or toddlers’ manifestations of what the psychoanalyst, Winnicott (1971), termed involvement with “transitional objects.” Early on many children become attached to a soft cloth or to some combination of an old crib blanket and a “plush” toy, a cloth bunny rabbit, bear, or lamb. The well-known Peanuts’ cartoons’ youngest character, Linus, carries a worn blanket around all day and clings to it tenaciously. Such behavior generally meets those criteria of play developed in the research of Smith and Vollstedt (1985), nonliteralness and associated positive affect. Actually, one might propose that the tenacity with which children cling to these objects even as they fade in color, shrink or become ragged, may reflect the very beginnings of an experience of autonomy (“my blankie”) and personal ownership, a primordial expression of our nearly universal adult sense of private property upon which whole societies and legal systems are constructed.

In Singer, Jerome L. & Singer, Dorothy G. (2006). Preschoolers' imaginative play as precursor of narrative consciousness. Imagination, Cognition and Personality 25 (2):97-117.

By Architectradure

2 comments:

Pauspling said...

I love your blog, Cati! Much for informative than mine.

CoUrTnEy said...

"...a primordial expression of our nearly universal adult sense of private property upon which whole societies and legal systems are constructed."

Yes! Yes!

That is the coolest thing I've read all day.

Perhaps in the new millenium (in our lifetime?:), it can be upgraded to read " ...which all societies and legal systems are constructed."

Functional objet d'art is as unbound as the human spirit.