Showing posts with label AI. Show all posts
Showing posts with label AI. Show all posts

Wednesday, May 23, 2007

Motion mapping

Enlighted by Marc Downie's work at the MIT Media Lab, I just checked his company Openended Group where he co-creates digital artworks for stage, screen, gallery, museum and public spaces.
His PhD thesis (459 pages) on choreographing the extended agent is available for download online.

I selected this quote that I find particularly interesting regarding my current research ...

If you cast your mind back to childhood, you will soon discover our topic – motion-mapping – most clearly and imaginatively revealed. There in the games and pursuits of your earliest years you can distinguish this phenomenon in its three most basic forms. You can also follow each form forward in time to find out what they grew into -- forms of art.

You might start by bringing back the movement games you played so ardently as a child – in particular the games of imitation and mimicry, like Copycat, Follow the leader, Charades, Simon Says, and the innumerable variants you and your friends would improvise. These games had you map the movements of others onto your own body, sometimes in the simplest one-to-one transformations (as when you followed the leader), but sometimes more intricately, as when you mimicked a lion, or a horse, or a gladiator...

Sunday, March 04, 2007

my body is a hypertext

I love this concept of Yasmine Abbas



project number . 20050816
project title . shotcode tattoo
medium . ink or washable tattoo
my identity has shrunk to my skin...
<< I link therefore I am >> says WJM
my tattoo is no more a barcode that one scans
for revealing the identity of a product
the extension of my body is a url
we exist because of the envelope, the image
which is drawn, written, or projected onto it
our skin is a state of mind, a habitat, and our identity
the last private space?
my body is a hypertext

Also available for 5$, washable bar code tatoos - Via needled

Monday, September 11, 2006

The Emotional Wardrobe

The Emotional Wardrobe, by Lisa Stead, Petar Goulev, Caroline Evans, Ebrahim Mamdani
In Personal and Ubiquitous Computing archive, Springer-Verlag, Volume 8 , Issue 3-4 (July 2004), Pages: 282 - 290, 2004.
Abstract follows ...

Since the industrial revolution, fashion and technology have been linked through the textile and manufacturing industries, a relationship that has propelled technical innovation and aesthetic and social change. Today, a new alliance is emerging through the integration of electronic technology and smart materials on the body. This study addresses the integration of technology with clothing from a fashion perspective, and examines its expressive and interactive potential. It proposes the concept of “The Emotional Wardrobe”: clothing that represents and stimulates emotional response through the interface of technology. It asks if fashion can offer a more personal and provocative definition of self, which actively involves the wearer in a mutable aesthetic identity. A multi-disciplinary framework combines fashion, material science and the real-time, affective computing platform, called “AffectiveWare”. By merging technology and fashion, The Emotional Wardrobe becomes a poetic interface, shifting emphasis from human–computer interaction to computer-aided, human–human communication.


Website of the Emotional Wardrobe project