Mariko Mori lives and works in New York. This November, Deitch Projects will be pleased to present Tom Na H-iu, an exhibition of new work by Mariko Mori. The title of the exhibition draws its name from the monumental 4.5 meter sculpture of the same name, and will be exhibited along with two other large-scale sculptures, Flatstone and Roundstone. The works develop Mori’s continued interest in a fusion of art and technology, Buddhism, and the idea of universal spiritual consciousness. Drawing from ancient rituals and symbols, Mori uses cutting edge technology and material to create a strikingly beautiful vision for the 21st century.
Mori's last installation at Deitch Projects was Oneness in 2003, a project held in conjunction with the Public Art Fund’s installation of her Wave UFO project. Oneness is an allegory of connectedness, a representation of the disappearance of boundaries between the self and others. It is a symbol of the acceptance of otherness and a model for overcoming national and cultural borders. It also is a representation of the Buddhist concept of oneness, of the world existing as one interconnected organism.
Mariko Mori’s remarkable sculpture, Wave UFO was included in the 2005 Venice Biennale, after being exhibited in New York with the Public Art Fund and at the Palazzo Ducale, Genoa. It was recently included in her solo exhibition at The Groniger Museum. The Wave UFO is on view through January 2008, at the Aros Aarhus Kunstmuseum, Denmark, as part of Oneness, their survey of Mariko Mori’s work.
More on Deitch
Saturday, October 27, 2007
Mariko Mori
USB with style
Design your own USB blank cassette just like the old mix tapes.
If you are a little nostalgic of your past, companies are investing solutions. The tech from the past becomes the trend of now. A classic such as these kind-of-cool usb-devices-looking-tapes by Mixa that can be tailored with personal digital stickers, like a day at the beach or your dog with some 80's hair style.
Friday, October 26, 2007
A sound machine
What could that be? The sound machine project consists of a pneumatic quintet that will be playing at the Hanover Fair, the world's biggest industrial fair.
Five automatic sound machines will provide musical accompaniment for the opening celebrations at the Hanover Fair. Pneumatic components and a PLC control system will be applied very differently from the way they are used in industrial automation: They will create a bridge between technology and art.
21 micro-cylinders are used in each sound machine. The micro-cylinders imitate the mechanical movements of a musician's left hand on the string instruments, determining the pitch of the tone by changing the length of the strings. Various drumsticks and a jazz brush are moved on the drum by micro-cylinders.
Enjoy the movie of the sound machine project.
"The idea of constructing musical robots or music machines is by no means new. The 18th century was the heyday of the machine constructors. However, the technical possibilities of Roland Olbeter’s sound machines by far transcend those of earlier music-boxes, especially since electronic media open up entirely new realms of sound." - Festo
See also the fantastic Chandelier, a large scale robotic musical instrument created by Mike Fabio, Steve Pliam and Tod Machover.
Video of the Chandelier
Don't forget to check Untitled sound objects by Lang + Zimoun that are absolutely gorgeous. Thank you commentator gr Hicham for the link!
Video
Back in the future
Poster by Iso50.
There is something charming in an interface with only 5 buttons, a knob, a screen and headphones.
Wednesday, October 24, 2007
Triggering music + visuals
Some use Hyperscore, a music software program designed to teach students and adults how to compose music simply by drawing lines on the screen, some use loop tracks, by simple drag of slider left or right and up and down using vertical lines.
Tuesday, October 23, 2007
Paper toys
Awesome paper toys to download and assemble. You also have the choice with a different style of paper toys!
Bootleg objects
Rebraun by Marcus Wolf + Marcus Bader
Designed in 1962 by Dieter Rams, the “Audio 1 Kompaktanlage” is a milestone of german post-war design. It embodies, even more than its predecessor, the famous “snow-white’s coffin”, the design ideals of the rationalist “Ulm School”. These sober paradigms of utility and matter-of-factness are playfully remodelled in the “ReBraun”: Two TFT-Displays take the place of the radio scales, the lettering on the anodised front plate ironically quotes the lingo of the radio era. A randomly positioned button, labelled “Zufall” (Randomness) stands for the freedom from mechanical constraints. The antenna does not receive any FM radio, but is used to connect the system to the internet via Wireless LAN. The case and acrylic hood were lowered by several centimetres for sporty reasons (think: hot rod!), and the window that formerly contained a signal strength readout now becomes a tabernacle for the old Braun nameplate.
A phono-radio without the phono, a cassette receiver sans cassette, and a non-turning turntable are the first three pieces in a series called “Bootleg Objects”. Obviously, something has been stolen here from these three right honorable design classics. Or rather, was something added?
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