

Airbed, an artificial lung and breathing mattress, is constructed from clear polythene and chromed waste plugs. It is a hybrid object borrowing language from the bedroom and the bathroom. An intermittent air supply feed into one end of the mattress bringing the bed to life. Audible bursts of air are sent down a plastic windpipe, mimicking a sleeping body.
Tuesday, November 13, 2007
Airbed
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6:20 pm
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Labels: art, furniture, technology
Sunday, November 11, 2007
The Dumpster
The Dumpster is an interactive online visualization that attempts to depict a slice through the romantic lives of American teenagers. Using real postings extracted from millions of online blogs, visitors to the project can surf through tens of thousands of specific romantic relationships in which one person has "dumped" another. The project's graphical tools reveal the astonishing similarities, unique differences, and underlying patterns of these failed relationships, providing both peculiarly analytic and sympathetically intimate perspectives onto the diversity of global romantic pain.
Web site
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Labels: networks, online, social, technology
Friday, November 09, 2007
Accordion Hero II

If you are tired of the guitar, here is an accordion's version!
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Labels: media, music, technology
Monday, November 05, 2007
Circoripopolo goes airtistique!

One of the nicest web project I have ever seen. Two actors find their space on the web!
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11:39 pm
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Labels: improvisation, theatre, webdesign
Phones

Photo by James Bowskill
A phone that seems to come out of L'Odeur de la papaye verte (Cyclo).
Photo by Patrick Gries
This one is more for a need that I witness around me! Adjustable isolation space by Robert Stadler.
Apparently one can notice a need for blocking out all peripheral sensory distraction while talking on the phone, hence the Auger-Loizeau's Isophone.
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Thursday, November 01, 2007
Making Things Talk
I cannot wait to read
Making Things Talk, Tom Igoe's new book on Practical Methods for Connecting Physical Objects. It seems a lovely source of cute projects with ready-to-use technical resources. NearField opened a few pages of the book for us.
After taking classes in sensors and electronics at MIT, this semester I take Physics 123 at Harvard University. I recommend this class for any mechanical/electrical/software engineer, designer and researcher who wants to get a deeper understanding of physics related to electronics and to develop an intuitive relationship to electronics. It is the equivalent of 3 full time classes, because two days of the week and the week end are devoted to the class laboratories and assignments. Intensive but productive! This is one of the most valuable class I took in a long time. I hope after that class that all my things will talk!
"A lab-intensive introduction to electronic circuit design. Develops circuit intuition and debugging skills through daily hands-on lab exercises, each preceded by class discussion, with minimal use of mathematics and physics. Moves quickly from passive circuits, to discrete transistors, then concentrates on operational amplifiers, used to make a variety of circuits including integrators, oscillators, regulators, and filters. The digital half of the course treats analog-digital interfacing, emphasizes the use of microcontrollers and programmable logic devices (PLDs)."
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Labels: book, class, Harvard, reading, technology
Monday, October 29, 2007
High touch visual

Hoehenluft by Pixelgarten
Tactile shows how graphic design is moving into three-dimensional objects and products. The innovative examples documented in the book TACTILE – High Touch Visuals, distributed by Die Gestalten Verlag, demonstrate how designers are developing and implementing their ideas spatially from the very outset of a project. Tactile proves that spatial innovation in graphic design is not limited to personal work or artistic endeavours, but is being sought out more and more often by commercial clients, for example, in store design.
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Labels: graphic-design, touch
Saturday, October 27, 2007
Mariko Mori
Mariko Mori lives and works in New York. This November, Deitch Projects will be pleased to present Tom Na H-iu, an exhibition of new work by Mariko Mori. The title of the exhibition draws its name from the monumental 4.5 meter sculpture of the same name, and will be exhibited along with two other large-scale sculptures, Flatstone and Roundstone. The works develop Mori’s continued interest in a fusion of art and technology, Buddhism, and the idea of universal spiritual consciousness. Drawing from ancient rituals and symbols, Mori uses cutting edge technology and material to create a strikingly beautiful vision for the 21st century.
Mori's last installation at Deitch Projects was Oneness in 2003, a project held in conjunction with the Public Art Fund’s installation of her Wave UFO project. Oneness is an allegory of connectedness, a representation of the disappearance of boundaries between the self and others. It is a symbol of the acceptance of otherness and a model for overcoming national and cultural borders. It also is a representation of the Buddhist concept of oneness, of the world existing as one interconnected organism.
Mariko Mori’s remarkable sculpture, Wave UFO was included in the 2005 Venice Biennale, after being exhibited in New York with the Public Art Fund and at the Palazzo Ducale, Genoa. It was recently included in her solo exhibition at The Groniger Museum. The Wave UFO is on view through January 2008, at the Aros Aarhus Kunstmuseum, Denmark, as part of Oneness, their survey of Mariko Mori’s work.
More on Deitch
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Labels: art, science fiction



