
Aire 2005, Gazon synthétique, filet de tennis. Dimensions réglementaires d'un court de tennis soit 23,774 x 10,973 m
Vues d'exposition à l'Université de Provence, Parvis du Centre des Lettres et Sciences Humaines
A French artist that I like for his joyful but shifted critic of social activities and entertainment. His area of predilection is sport. He reappropriates objects and their use and at the end we are confused on how we can make use of them. Thank you Eness for the link.
More on Laurent Perbos
Ballon2 1999 - Ballon de football en cuir, dimensions réglementaires au carré - Photographie Marcell Esterhazy
Saturday, April 14, 2007
Laurent Perbos
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Labels: contemporary-art, french, inspiration, sculpture
Friday, April 13, 2007
Joshua Bell toujours plus fort!

Tristan sent me the link to this awesome article. Prodige Joshua Bell plays in the subway, no one notices. I think this is so daring of Joshua Bell to play incognito facing the unresponse of the public. It tells a lot about our everyday filter!
Video
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Labels: critique, culture, inspiration, music
Tuesday, April 10, 2007
A tiny robot walked in my office today ...


Ricordo
EMRos is this family of so-called World’s smallest autonomous self-propelled micro robots. Each creature is this tiny robot that can record and play back motions being guided by a flashlight.
Ricordo is 1 cm3 in volume and equipped with a recording and playback function. Rubie on the other end is equipped with capricious wandering function. Both were created by Epson in 1995, but I finally got to play with one today, and it is adorable! I found a web site that shows beautiful pictures of the robots as well as the nice packaging that hosts them!
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Labels: design research, technology, TMG, toy
Sunday, April 08, 2007
Pour un art tres pauvre

Pour un art très pauvre that I made with vacuum formed plastic bags and thread.
I am a ghost specialist. Ghosts in my head, in my memory, in my life. I love their evanescence, their vagueness. They carefully hide their details.
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Labels: contemporary-art, craft, design research, project, sculpture
A tour at the ICA




The ICA in Boston is full of surprises with for instance a welcoming Divine Gas by Chiho Aoshima, the Hanging Fire of Cornelia Parker and Josiah McElheny's mirrors reflected infinitely ...
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Labels: architecture, Boston, building, contemporary-art, sculpture
Language based sculpture

Key and Cue, No. 288 by Roni Horn, 1994, Solid aluminum and black plastic, 51 x 2 x 2 inches
Photo by Oren Slor, Courtesy Max Protetch Gallery, New York
My relationship to my work is extremely verbal, extremely language-based. I am probably more language-based than I am visual, and I move through language to arrive at the visual. So I’ve always questioned whether I am really a visual artist. You get into this situation where your ‘identity’ takes over your actual being because you get stuck with whatever it is you resemble to other people—not who you are. They’re not necessarily the same thing. — Roni Horn
More about Roni Horn
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Labels: contemporary-art, inspiration, sculpture
Friday, April 06, 2007
Markus Hofer

Bildträger, Leinwand, vor Ort vorhandener Besen; ca. 100 x 200 cm; 2004
One of my favorite Markus Hofer's piece is Bildträger.
Markus' work is very fresh, an in between graffiti and installation. Obviously site specific, his work consists of redesigning elements of a space to make it an object altogether. His work is very inspirational for my current attempts in sculpture.
Blackbox Holz, Spachtelmasse, Kabel, Lack; 25 x 40 x 3 cm; 2004
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Labels: contemporary-art, sculpture
Eness

Everlab's 1 hour circle by Eness
I recently had the pleasure to meet Nimrod Weis, co-founder of Eness. 
I discovered his Pixile work, an interactive digital sculpture which transforms a series of static objects into an interactive illusion giving this powerful illusion of real-life objects spinning, changing and responding to each other.
I love Virsual, their digital rocking horse, a wireless, ride-on rocking horse equipped with its own motion sensor device. As riders saddle up a 3D game is activated and displayed on screen. I definitely can tell how much children would love this. 
Their latest installation commissioned by Audi to exhibit at the New Audi TT launch in Sydney next week. So if you are in Sydney, check it out!
Video.
A series of four translucent screens, each representing a solid cross section of time and space, Three dimensional objects rapidly passing through. These sections deflect, ricochet and manipulate thousands of virtual particles contained in these cross sections. The high impact point of collision between space and matter create an endless amount of esthetical beautiful iconic formations. The gravity of the particles are effected by camera tracking, meaning that the particles direction and velocity change depending on the position of the viewer.
More on Eness' web site
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Labels: creativity, design, digital, inspiration, installation, interactive, screen, sculpture, technology
Zen australia
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the zen robot
The Zen Robot creates spirals in the sand, reaching perfection and zenness... Created by Eness.
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Labels: creativity, design, product-design
Sock Monkeys

Sock Monkeys, Private Collection
I collect toys. I prefer the ones that tell a story. I love the sock monkeys, they are made from socks, stuffed socks and arranged to represent an animal. It is interesting how simple stuffing socks are at the end registered and how their interpretation changed over time.
Sock monkey toys, a tribute to U.S. thrift and inventiveness, became a part of American childhood in 1953, when the Nelson Knitting Co. registered its design for turning a pair of socks into a stuffed toy. As interpreted by generations of home sewers, the sock monkey is now seen as a form of folk art, its basic pattern transformed through costuming, stitching, and stuffing. This private collection was started in 1985 and now includes over 1,500 monkeys. Approximately 100 of these whimsical and unique stuffed toys are included in the exhibition.
Found at the institute of contemporary art, University of Pennsylvania

Illustration found on the art of popular craft
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Labels: contemporary-art, culture, toy