Cup communicator

Cup communicator by Duncan Wilson. Tug the cord to activate, squeeze to talk and hold to the mouth and ear.

The design of the Cup Communicator is focused on the gesture of use and the relationship between the users and object. I aim to explore the potential of the product as a medium for interaction and reassess the way we use technology.

The form and function of the Cup Communicator refer to the ‘two-cans and string' children's toy and the physical factors involved with that device. This typology and its associations remind us of the magic and playfulness of our first communication devices.

Playstation human sculptures

Sculpture in perforated steel with sections upholstered in felt

Designers came up with a landscape of concept furniture derived from the statue-like forms of people sitting, standing or leaning against walls engaged in playing the PlayStation Portable (PSP). The result is "sculptural and machine-like". Each piece contains a PSP unit and users are encouraged to step inside these structures to play, the idea being to create an individual gaming experience while allowing for interaction with other gamers in other pieces using the PSP’s wi-fi capabilities.

Inspired by gaming, after the Nintendo Wii, the Wii-fit is coming. Also check the new hypnotic video-ad for playstation!




Posted by Cati Vaucelle
♥ Architectradure
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The subtle vibrations

Duncan Wilson created Otto with Manolis Kelaidis at the Royal College of Art.

OTTO (Greek for ‘ear’) is a device that makes hidden sounds audible. This is achieved via a thin polymer piezoelectric contact that senses weak vibrations and plays them as a sound through an integrated speaker. OTTO can be positioned on almost any surface through a combination of suction and magnets. By placing several units on different objects, one can select and create a new sonic experience and a form of ambient music appreciation, thereby utilising our space as a multidirectional audio platform.

Every object and surface in our environment has a whisper; subtle tremors and vibrations that are usually undetectable to the human ear, produced by the activity and movement of daily life. What if these sounds were audible? How would that change our aural awareness, perception of space and attitude towards objects? Would it be possible to ‘compose’ our own soundtrack using our walls and objects as a new form of instruments? Madsounds is a proposal for a different appreciation of our environment, space and objects by making it possible to identify, combine and manipulate these sounds.

More projects from the RCA.


Posted by Cati Vaucelle
♥ Architectradure

Chrono Shredder

The Chrono_Shredder is a device that makes past time tangible. It is a hybrid between calendar, clock and waste producing automaton. It has no on/off-button, thus it is unstoppable, just like time. It features the 365 days of the year represented on a paper-roll. The paper-roll is led through a hacked paper-shredder, which is programmed to use exactly 24 hours to shred one "day".

Designed by Susanna Hertrich the Chrono Shredder invents a near-future scenario, in which people have embraced human hibernation as common practice and efficient method to delay their natural ageing. The chrono_shredder is one product from a fictional series of products, which are developed under the umbrella of "memento vivere" (remember that you also have to live your life). Those products target at people with hibernation obsession.

Paperless or techno flat?

Miquel Mora Mor | Paper Alarm Clock | Printed electronics on paper

What ever happened to the paperless future?
What if we could enhance paper instead of getting rid of it?
The Flat Futures project deals with this future. A future where, through printed electronics we could print technology (displays, batteries, speakers...) in flat and flexible surfaces. Objects will wear technology instead of carrying them inside. It will become their skin.
How will this affect our lives? How will our relationship with these enhanced objects change? If any surface can display anything, where will its value be? In the physical object? Or in the information itself?

Light hidden within the wood

Light Play

Back in 2005, I saw the light play table, created by Anab Jain and Stuart Wood, a beautiful fiber optic table of natural light.

Recently I came across the work of the evil mad scientists and the because we can. A table that reacts by light to your motions and without motion it calms down to a very slight attractive twinkling.

The entire table pulls a total of 35 watts when it is fully active. That's less than a single common household light bulb!
Using a network of 32 active and passive near-infrared optical sensors, it detects motion above the table and changes in ambient light. Made of fully analog circuits, the light patterns sweep outwards from your motion with perfect fades, glowing stronger the closer the movement is, rippling across a pool of 480 super-bright white LEDs. It works in full sunlight or total darkness.

The cat is on the table, only his moving tail is setting off the lights

Social Sensors

Social Sensors by Chris Hand

community anticipation enlarger bluetooth boredom bouncer open source ambivalence revolutioniser wireless road rage communicator dog-mounted love alarm gardeners neighbourliness matcher in-library fear disposer gps-based group hug finder childrens happiness counter automatic group hug announcer community togetherness generator peer-to-peer frustration reducer personal paranoia filter hand-held fear investigator domestic happiness announcer childrens boredom communicator pensioners obsession matcher hand-held powerlessness alarm community homesickness reflector industrial uncertainty alarm neighbourhood jealousy subverter kitchen environment-friendliness messager predictive anger investigator dashboard-mounted depression reducer public transport relaxation finder in-library loneliness broadcaster family empathy communicator -- Extract from 139,590 Devices

Shadow monsters

I saw the shadow monsters at the RCA in 2005 and loved them. The creator Philip Worthington has a lot of other neat projects on site. I just refer to this specific work as a reference in motion and interaction design.

Singing Sock Puppets

Singing Sock Puppets by Matthew Brown

This is a MIDI controller sock puppet. Opening and closing the mouth bends a flex sensor and makes the puppet 'sing' up and down a scale. He can be tuned to sing in any scale - blues, pentatonic, chromatic and so on. These puppets could be used to help illustrate relatively complex musical theory - such as the differences between blues, chromatic and pentatonic scales - through play; this type of musical terminology doesn't normally enter the school music curriculum until GCSE level in the UK (ages 15 - 16).

What if we were 11 feet tall?

Yumiko Tanaka created SpyRod, a camera connected to a long stick with fishing line. The idea is that children can see and record the world from very different view points: a very low viewpoint, as if they were little creatures, a world as if they were giant or simply discover the world from their size-view.

By exploring the potential of new small cheap cameras, and by rethinking how children might use them, they stop being cameras and become third eyes.

Create your own doll

Oh, I Feel Naked!

Yes, I collect toys, toys that are charged with a period. Maybe this one is charged from the Victorian era, but I love it. It resembles a mix between a voodoo doll and a customizable one. If the author of the work, Eli Gutierrez, commercializes it, I immediately would get one!

Why not?

Shay Alkalay revisited bears as tools: as bin bags and as vacum cleaner bags.


Bin Bag Bear

A simple employee at the council rubbish disposal services had a peculiar imagination: he could see teddy bears in every object he observed. As a child he would stare at the clouds imagining that he could see teddy bears in the sky… and today...everywhere, even the black bin bags looked like teddy bears to him.
No one at work could stand his excited cries every time he shouted 'look at that bear...look at that one...don't throw it into the garbage crusher… nooooo!..'
Of course he was fired from his job, lost his family and friends and became homeless. Yet even though many people thought he was strange, none of them would admit that they too saw the teddy bear bin bags dumped around the streets of London.

Hoover Bag Bears

More on the Hoover Bears by Regine on wmmna.

Design and Intuition

Designing interactions book

Few weeks ago, I asked my advisor Hiroshi Ishii to lend me the Designing interactions book from 2007 in which he presents multisensory interaction design. I particularly liked the organization of the book in a form of a small encyclopedia of interviews illustrated by successful examples from the first PC prototypes to the existential design of the RCA interaction design department.
The book can be discovered online with streamed interviews and samples of work.

Video interviews

Video interview of Hiroshi Ishii

Video interview of John Maeda

Today, Hiroshi invited Bill Moggridge, co-founder of IDEO, to talk about "Design and Intuition" at the MIT Media Lab and to introduce his book.

abstract of the talk
Interactive technology is everywhere, seeping into every crack and cranny of our lives. It's not just the mouse that we use for pointing and clicking, plus the desktop and windows on our screens. It's the TV we watch, the iPods that help us enjoy music, video games, digital cameras, phone services, Palmtops, plus the aesthetic, social and cultural interventions that we experience. Bill Moggridge will describe a design process that is common to these examples. He will show how design opportunities can be identified by discovering people's latent needs, behaviors, and desires, and by creating new ways to serve and support them. He will demonstrate how designers can visualize new products, services, spaces, media and software-based interactions, and bring them to life by prototyping. He will discuss the values inherent to Design Thinking and the processes that can help to harness the power of intuition in designing interactions.

bio of Bill Moggridge
Bill Moggridge is cofounder of IDEO, independently ranked by business leaders as one of the most innovative companies in the world. A Royal Designer for Industry, Bill designed the world's first laptop computer. He pioneered interaction design and is one of the first people to integrate human factors into the design of software and hardware. He has been a visiting professor in interaction design at the Royal College of Art in London, lecturer in design at the London Business School and a member of the steering committee for the Interaction Design Institute in Ivrea, Italy. He is currently consulting associate professor in the joint program in design at Stanford University. His book Designing Interactions is available from The MIT Press.

Painting Pixels

The pixel roller, from 2005, is to me another take on how technology influenced the creative process, and in this case the printing process. The combination of digital and a new materiality expressed with the digitial is impressive.

Made by rAndom International at RCA

PixelRoller is a paint roller that paints pixels, designed as a rapid response printing tool specifically to print digital information such as imagery or text onto a great range of surfaces. The content is applied in continuous strokes by the user. PixelRoller can be seen as a handheld “printer”, based around the ergonomics of a paintroller, that lets you create the images by your own hand.

Web Site for PixelRoller including press material and a superbe video!



Pixels are everywhere, from dishes to architectural home structures.
This series from Remake Design reminds me of the Tetris video game.